Audiodidakt was formed in Norrköping, Sweden spring 1998. The object was to form a platform for independent music/art projects. The concentration of the musical performance-act has tilted towards the musique concrete/arte povera/avant gardistic concept. The embodiment of a statement, a concrete idea, is more or less the central part of Audiodidakt.
Agenda: If one appreciates any source of sound as good as any in terms of value; all structured use of such can be defined within the definition of music.
The invention of sound and music thereby becomes a part of a larger comprehension of audio.
The basic rule of all creative activity is to learn and progress. Through this process one transgresses into a different and new unexplored state of being. We aim to call upon this process through the use of audio, e. g. an audiodidactic process.
Our main focus often lies beyond the borders of the convention and traditional values. The “odd” or unconventional if you like, makes an essential statement which often permits us to adjust our perception of reality and convention.
A subject may be true to its content, but not to reality. Reality always poses a threat over theory, since its always more complex than imaginable. The notion of right or wrong, good or bad is established by convention, not reality. In that way nothing is true but in the eye of the beholder. Or to put it in other words, everything is true, and at the same time not true – anything is true as long as you are willing to believe it. Essentially it’s up to the individual which road to take, which paths to tread. Truth lies, in this sense, in the unexplored and unprohibeted.